The magic of puppetry and the music of Wolfgang Amadeus Mozart each hold a special place in the heart of the Czech people. So it is no surprise that Don Giovanni, a work that saw its world premiere not in Austria but in the capital of the old Habsburg Kingdom of Bohemia, should feature so prominently in the repertory of the Národní divadlo marionet, the National Marionette Theatre in Prague.
Mozart was a master of surprise and one can suppose, with the confidence that he had gained from the great success of The Marriage of Figaro in Prague the previous year, that he was ready to deliver a theatrical blockbuster. Don Giovanni is a work that pulls out all the stops and which, thanks to its final climactic scene, still has the power to shock audiences today. The opera’s anti-hero, Don Giovanni, is a libertine who wreaks utter havoc with the lives of those around him until the ghost of one of his victims returns to exact a hellish retribution.
Prague audiences hailed Mozart, the genius from Salzburg, as one of their own. The staging of the first performance of Don Giovanni at the Estates Theatre on 29 October 1787 was a significant coup not just for the theatre’s impresario but for the country as a whole; a statement of intent that confirmed Prague’s place amongst the great world centres of opera.